TERRY RILEY
Born in Colfax, California, in 1935, Terry Riley began his musical studies at the age of 19 in San Francisco, studying both piano and composition.
He finished his studies at the University of California, Berkeley, receiving a MA degree in Composition.
During his years of study, Riley worked as a soloist playing ragtime piano, and also formed an improvisation group in conjunction with Loren Rush and Pauline Oliveros.
It was during this time that he met La Monte Young, with whom he worked composing dance music for choreographer Ann Holprin.
After finishing his studies, Terry Riley toured Europe where he became involved in theater, jazz concerts and "happenings".
He performed solo "All-Night Concerts" in Europe, playing keyboard instruments and soprano saxophone, later adding electronics and tape.
It was at this time when he began to compose music using repetitive patterns, which helped give rise to the development of the American minimal music in the seventies and eighties.
Perhaps Terry Riley is best known for his work In C, which is based on fixed musical figures, but, like many of his compositions, contains elements of controlled improvisation.
Terry Riley's compositional output spans the worlds of electronic instruments, and vocal and instrumental music, and include a quintet titled The Crows Rosary and nine string quartets.
Of these, Cadenza on the Night Plain was considered by Time and Newsweek to be one of the ten best records of the year and Salome Dances for Peace was elected the best album of 1989 by USA Today.
For the Salzburg festival of 1991 he was commissioned to write a concerto for quartet and orchestra, played by the Kronos Quartet.
www.terryriley.com
Terry Riley
ARNR 0292
Format: Jewelbox
Click here for MP3
In this inspired live concert recording, Terry Riley, one of the Master - Composers of our century, plays a kaleidoscopic improvisational journey of solo piano music from his Piano Cycle The Harp of New Albion and from Salome Dances for Peace, originally composed for String Quartet, which is recorded here for the first time in its piano version.
The listener will find new in this recording the magic and extraordinary beauty which breathlessly held the attention of the audience that evening.
In Riley's opinion, this is one of his best piano albums.
TRACKLISTING:
The New Albion Chorale-The Discovery (19:00)
Cadenza on the Wind (4:34)
Premonition Rag (13:10)
The New Albion Chorale (reprise) (2:12)
Peace Dance (12:20)
Turning (6:09)
Mongolian Winds (8:40)
The Magic Knot Waltz (5:27)
The New Albion Chorale ( final reprise) (2:10)
Land's End (4:15)